And he just starts doing this dance, and we both kind of look at each other and said, O.K., that’s the scene. There’s 250 people on the crew waiting outside. And Joaquin just started to dance to the music, and it was just me and him alone in the bathroom. And I just wanted to play Joaquin this piece of music. Hildur Gudnadottir is our composer, and she’d been sending me music throughout, while we were shooting. And it was about an hour into it and I said, hey, you know, I got this piece of music from Hildur. Why would Arthur care to hide his gun? And we really kind of tossed around a million ways to just do something different. And when we got to the set on the day, Joaquin and I just sort of stood around like, this doesn’t really seem very Arthur. In the script, Arthur was to come into the bathroom, hide his gun, wash off his makeup, and staring at himself in the mirror like what have I done. What’s interesting about this scene to me is it’s entirely different than what we had scripted. ![]() I’m the director of “Joker.” So this scene is interesting because it’s right after a life-changing cataclysmic event in Arthur’s life, and he’s found this little kind of rundown park bathroom to go in and collect his thoughts and get himself together. Transcript ‘Joker’ | Anatomy of a Scene Todd Phillips narrates a sequence from “Joker.”
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